《关于在短时间内的某几个人的经过》是居伊·德波导演的作品，发行于1959年（法国），由内详等主演，策驰影院-最新好看的热播电影电视剧排行-策驰电影网为大家提供关于在短时间内的某几个人的经过完整版免费在线观看，能在手机和电脑上流畅观看关于在短时间内的某几个人的经过高清版（HD法语原声），同时还支持是手机投屏。
短片,剧情片,剧情,情电影关于在短时间内的某几个人的经过讲述了：Voice1(male" rofessionalannouncer"ty e):Thisneighborhood(1)wasmadeforthewretcheddignityofthe ettybourgeoisie,forres ectableoccu ationsandintellectualtourism.Thesedentary o ulationoftheu erfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofha iness,wasex ressedinacts.These eo lealsoscorned"subjective rofundity".Theywereinterestedinnothingbutanadequateandconcreteex ressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygro inginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgrou sandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1:Theysaidthatoblivionwastheirruling assion.Theywantedtoreinventeverythingeachday;tobecomethemastersand ossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconce tionhehasofhimself,onecannotjudgesuch eriodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustex laintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocial roduction.The rogressachievedinthedominationofnaturewasnotyetmatchedbyacorres ondingliberationofeverydaylife.Youth assedawayamongthevariouscontrolsofresignation.Ourcamerahasca turedforyouafewas ectsofa rovisionalmicrosociety.Theknowledgeofem iricalfactsremainsabstractandsu erficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalone ermitsthesu ersessionof artialandabstract roblemssoastoarriveattheirconcreteessence,andim licitlyattheirmeaning.Thisgrou wasonthemarginsoftheeconomy.Ittendedtowardaroleof ureconsum tion,andfirstofallthefreeconsum tionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutde rivedofanymeanstointerveneinthem.Thegrou rangedoveraverysmallarea.Thesametimesbroughtthembacktothesame laces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2:"Ourlifeisajourney"”Inthewinterandthenight."”Weseekour assage..."�Voice1:Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2:Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthe otentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheim ortanceofaworldwithoutim ortance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincom letelytowarddiverseobjectsandcancom letelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbe ossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1:Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirre arable.Theextreme recariousnessofthemeansofgettingbywithoutworkingwasattherootofthisim atiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2:Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1:Whenfreedomis racticedinaclosedcircle,itfadesintoadream,becomesamerere resentationofitself.Theambianceof layisbynatureunstable.Atanymoment"ordinarylife"�can revailonceagain.Thegeogra hicallimitationof layisevenmorestrikingthanitstem orallimitation.Anygametakes lacewithinthecontoursofitss atialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywhere eo lemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenreca turedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebad roductsofabadsocietyarethemostuglyandre ugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheir roducts.Onecan,incontrast,envisagetheentirecom lexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyeta ear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2:Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmade ossible,andincreasinglynecessary,adirectconstructionofallas ectsofaliberatedaffectiveand racticalexistence.Thea earanceofthesesu eriormeansofaction,stillunusedbecauseofthedelaysinthe rojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsand owerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smono olyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromacultural roductionofficiallydevotedtoillustratingandre eatingthe ast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthe athslearnedonceandforall,totheirworkandtheirhome,totheir redictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheruseoftheurbanlandsca e,inquestofnew assions.Theatmos hereofafew lacesgaveusintimationsofthefuture owersofanarchitectureitwouldbenecessarytocreatetobethesu ortandframeworkforlessmediocregames.Wecouldex ectnothingofanythingwehadnotourselvesaltered.Theurbanenvironment roclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenews a ers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peo lecanseenothingaroundthemthatisnottheirownimage;everythings eakstothemofthemselves.Theirverylandsca eisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofallty es.Theymaintainedthecoherentreignof overty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinku withthemasses,butweweresurroundedbyslee .Voice3:Thedictatorshi ofthe roletariatisades eratestruggle,bloodyandbloodless,violentand eaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1:Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheir ower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthe ast.Voice2:Years,likeasingleinstant rolongedtothis oint,cometoanend.Voice1:Whatwasdirectlylivedrea earsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2:Thea earanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthe assageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthe astfromthe resentis reciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingke t?Voice3:Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Wearese arated.Theyears assandwehaven’tchangedanything.Voice2:Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarly assednights.Itisawalkthathaslastedalongtime.Voice1:Reallyhardtodrinkmore.Voice2:Ofcourseonemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"” oorandfalselikethisbotchedtravelingshot.Voice3:Therearenow eo lewho ridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecom ositionandexhaustionofindividualex ressioninourtime,ignorantoftheendoftheartsof assivity.Theyare raisedfortheirsinceritysincetheydramatize,withmore ersonalde th,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyex resstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyinthe ers ectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2:Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoex anditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenisthe roductofthisrealneed.Thestaristhe rojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethe oint?Bettertogras thetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthes ectacleandofmemories.1.Thisfilm,whichevokesthelettristex eriencesattheoriginofthesituationistmovement,o enswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s
